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Brian Yecies
Brian Yecies
Professor, Communication and Media, University of Wollongong
Verified email at uow.edu.au
Title
Cited by
Cited by
Year
The changing face of Korean cinema: 1960 to 2015
B Yecies, A Shim
Routledge, 2015
722015
Korea's Occupied Cinemas, 1893-1948: The Untold History of the Film Industry
B Yecies, AG Shim
Routledge, 2012
702012
Mining Chinese social media UGC: a big-data framework for analyzing Douban movie reviews
J Yang, B Yecies
Journal of Big Data 3, 1-23, 2016
532016
The Chinese–Korean co-production pact: collaborative encounters and the accelerating expansion of Chinese cinema
B Yecies
Film Policy in a Globalised Cultural Economy, 104-120, 2018
462018
Cultural intermediation and the basis of trust among webtoon and webnovel communities
A Shim, B Yecies, X Ren, D Wang
Information, Communication & Society 23 (6), 833-848, 2020
422020
Parleying culture against trade: Hollywood’s affairs with Korea’s screen quotas
BM Yecies
402007
Systematization of Film Censorship in Colonial Korea: Profiteering from Hollywood’s First Golden Age, 1926–1936
B Yecies
Journal of Korean Studies 10 (1), 59-83, 2005
322005
Contemporary Korean cinema: Challenges and the transformation of'Planet Hallyuwood'
B Yecies, AG Shim
Acta Koreana 14 (1), 1-15, 2011
302011
Willing collaborators: Foreign partners in Chinese media
M Keane, B Yecies, T Flew
Rowman & Littlefield, 2018
282018
Global transcreators and the extension of the Korean webtoon IP-engine
B Yecies, A Shim, J Yang, PY Zhong
Media, Culture & Society 42 (1), 40-57, 2020
262020
The Douban online social media barometer and the Chinese reception of Korean popular culture flows
B Yecies, J Yang, AG Shim, KR Soh, MJ Berryman
192016
Digital intermediary: Korean transnational cinema
B Yecies, AG Shim, B Goldsmith
Media International Australia 141 (1), 137-145, 2011
182011
Planet hallyuwood's political vulnerabilities: censuring the expression of satire in the President's last bang (2005)
BM Yecies
182008
Sounds of celluloid dreams: Coming of the talkies to cinema in colonial Korea
B Yecies
182008
Characteristics of Chinese online movie reviews and opinion leadership identification
J Yang, B Yecies, PY Zhong
International Journal of Human–Computer Interaction 36 (3), 211-226, 2020
172020
Korean–Chinese Film Remakes in a New Age of Cultural Globalisation: Miss Granny (2014) and 20 Once Again (2015) along the Digital Road
K Soh, B Yecies
Global Media and China 2 (1), 74-89, 2017
172017
Transnational collaboration of the multisensory kind: exploiting Korean 4D cinema in China
B Yecies
Media International Australia 159 (1), 22-31, 2016
172016
East Asian audio-visual collaboration and the global expansion of Chinese media
B Yecies, M Keane, T Flew
Media International Australia 159 (1), 7-12, 2016
172016
Korean webtoons and collective innovation: expanding Europe's creative industries through competitive localization
B Yecies, JJ Yang, Y Lu
Innovation: The European Journal of Social Science Research 33 (4), 459-473, 2020
162020
In search of the Korean digital wave
B Goldsmith, KS Lee, B Yecies
Media International Australia 141 (1), 70-77, 2011
162011
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