Rainer Polak
Rainer Polak
RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion
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Cited by
Cited by
Hip Hop Africa: new African music in a globalizing world
R Polak, JW Shipley, L Watkins, P Tang, DB Reed, J Fenn, S Shonekan, ...
Indiana University Press, 2012
Cross-cultural work in music cognition: Challenges, insights, and recommendations
N Jacoby, EH Margulis, M Clayton, E Hannon, H Honing, J Iversen, ...
Music Perception 37 (3), 185-195, 2020
Rhythmic feel as meter: Non-isochronous beat subdivision in jembe music from Mali
R Polak
Music Theory Online 16 (4), 2010
Timing and meter in Mande drumming from Mali
R Polak, J London
Music Theory Online 20 (1), 2014
A musical instrument travels around the world: Jenbe playing in Bamako, West Africa, and beyond
R Polak
The World of Music, 7-46, 2000
Rhythmic Prototypes Across Cultures: A Comparative Study of Tapping Synchronization
R Polak, N Jacoby, T Fischinger, D Goldberg, A Holzapfel, J London
Music Perception 36 (1), 1–23, 2018
Both Isochronous and Non-Isochronous Metrical Subdivision Afford Precise and Stable Ensemble Entrainment: A Corpus Study of Malian Jembe Drumming.
R Polak, J London, N Jacoby
Frontiers in Neuroscience 10, 285, 2016
Rhythm histograms and musical meter: A corpus study of Malian percussion music
J London, R Polak, N Jacoby
Psychonomic Bulletin & Review 24 (2), 474–480, 2017
Universality and cross-cultural variation in mental representations of music revealed by global comparison of rhythm priors
N Jacoby, R Polak, J Grahn, DJ Cameron, KM Lee, R Godoy, ...
PsyArXiv, 2021
Festmusik als Arbeit, Trommeln als Beruf. Jenbe-Spieler in einer westafrikanischen Großstadt.
R Polak
Berlin: Reimer, 2004
Performing audience. On the social constitution of focused interaction at celebrations in Mali
R Polak
Anthropos, 3-18, 2007
Perception and evaluation of timing patterns in drum ensemble music from Mali
H Neuhoff, R Polak, T Fischinger
Music Perception: An Interdisciplinary Journal 34 (4), 438-451, 2017
The lower limit for meter in dance drumming from West Africa
R Polak
Empirical Musicology Review 12 (3-4), 205-226, 2017
Extreme precision in rhythmic interaction is enabled by role-optimized sensorimotor coupling: analysis and modelling of West African drum ensemble music
N Jacoby, R Polak, J London
Philosophical Transactions of the Royal Society B 376 (1835), 20200331, 2021
Urban Drumming Traditional Jembe Celebration Music in a West African City (Bamako)
R Polak
Hip Hop Africa: New African Music in a Glo-balizing World, 261-315, 2012
Jenbe music in Bamako: Microtiming as formal model and performance practice
R Polak
Iwalewa Forum 2, 23-42, 1998
Aesthetics of musical timing: Culture and expertise affect preferences for isochrony but not synchrony
K Jakubowski, R Polak, M Rocamora, L Jure, N Jacoby
Cognition 227, 105205, 2022
Pattern and variation in the timing of aksak meter: Commentary on Goldberg
R Polak
Empirical Musicology Review 10 (4), 329-340, 2015
IEMP Malian jembe
R Polak, S Tarsitani, M Clayton
Open Science Framework, 2018
Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries
N Jacoby, R Polak, JA Grahn, DJ Cameron, KM Lee, R Godoy, ...
Nature Human Behaviour, 1-32, 2024
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