The Different Western Perception of the Oriental Moor in the Renaissance and the Twentieth Century: Shakespeare's Othello and Tayeb Salih's Season of Migration to the North: A … HA Alhawamdeh Transnational Literature 5 (2), 1-11, 2013 | 10 | 2013 |
"'Shakespeare Had the Passion of an Arab': The Appropriation of Shakespeare in Fadia Faqir's Willow Trees Don't Weep" HA Alhawamdeh Critical Survey 30 (4 Dec), 1-21, 2018 | 8 | 2018 |
Honor Crimes in Sahar Khalifeh’s The Inheritance and Sean O’Casey’s Juno and the Paycock: A Comparative Study HA Alhawamdeh Studies in Literature and Language 11 (6), 105-113, 2015 | 6 | 2015 |
The Restoration Muslim Tangerines Caliban and Sycorax in Dryden-Davenant’s Adaptation of Shakespeare’s The Tempest HA Alhawamdeh Critical Survey 33 (3-4), 121–140, 2021 | 5 | 2021 |
The Archaeological and Postcolonial Transformation of the Discourse of Orientalism from Renaissance to Restoration Drama HA Alhawamdeh https://www.proquest.com/openview/6ece1e79226883272d652c3548da2bd6/1.pdf?pq …, 2011 | 4 | 2011 |
The staging of William III's politics of peace with the Turks and The Alcoran of Mahomet in Nicholas Rowe's Tamerlane HA Alhawamdeh Orbis Litterarum, https://doi.org/10.1111/oli.12345, 2022 | 3 | 2022 |
She is no Desdemona: A Syrian Woman in Samar Attar’s Shakespearean Subversions HA Alhawamdeh Middle Eastern Literatures 21 (2-3), 154-170, 2018 | 3 | 2018 |
SHAKESPEARE IN THE ARAB JORDANIAN CONSCIOUSNESS: SHYLOCK IN THE POETRY OF ʿARĀR (MUSTAFA WAHBI AL-TAL) HA Alhawamdeh, IS Almazaidah Arab Studies Quarterly 40 (4), 319-335, 2018 | 3 | 2018 |
The Cultural Transformation of the Trope of the Renegade in Late Seventeenth- and Early Nineteenth-Century English Drama: John Dryden’s Don Sebastian and Frederick Reynolds’s … HA Alhawamdeh Critical Survey 34 (3), 18–38 https://doi.org/10.3167/cs.2022.34, 2022 | 2 | 2022 |
The Different Representation of Postcolonial Magic Realism in William Shakespeare’s The Tempest and Franz Kafka’s The Metamorphosis HA Alhawamdeh British Journal of Humanities and Social Sciences 12 (1), 1-13, 2014 | 2 | 2014 |
The staging of Islam and The Alcoran of Mahomet in Charles Saunders’s Tamerlane the Great and the Restoration politics HA Alhawamdeh The Seventeenth Century 38 (2), 325-348, 2023 | 1 | 2023 |
Shakespeare as an Icon of Peace and Human Coexistence in Mahmoud Darwish’s Shakespearean Appropriations HA Alhawamdeh Forum for World Literature Studies 14 (1), 151-172, 2022 | 1 | 2022 |
The Dramatization of the Shepherd Warrior in Christopher Marlowe’s Tamburlaine and the Jordanian Drama Bedouin Series Rās Ghlaiṣ (‘The Head of Ghlaiṣ’) HA Alhawamdeh, FM Alwaraydat Journal of Screenwriting 13 (2), 169-186, 2022 | 1 | 2022 |
Staging the Tories' Islamic Jihad against George I and the Whigs in Edward Young's The Revenge HA Alhawamdeh Orbis Litterarum, https://doi.org/10.1111/oli.12436, 2024 | | 2024 |
Stylistic Narrative of “Otherness”: A Study of Power Relations in John Steinbeck’s “The Murder” and Gabriel García Márquez’s “A Very Old Man with Enormous Wings” HA Alhawamdeh, HM Talafha, M Jarrah Dirasat, Human and Social Sciences 46 (4), 449-459, 2019 | | 2019 |
Sir Charles Sedley’s Adaptation of Shakespeare’s Antony and Cleopatra: Transformation from Anxiety into Admiration ER Al-Haddar, HA Alhawamdeh International Journal of English and Education 8 (1), 23-33, 2019 | | 2019 |