| Cross-cultural work in music cognition: Challenges, insights, and recommendations N Jacoby, EH Margulis, M Clayton, E Hannon, H Honing, J Iversen, ... Music Perception 37 (3), 185-195, 2020 | 109 | 2020 |
| Coarticulation and gesture: An analysis of melodic movement in South Indian raga performance L Pearson Music Analysis 35 (3), 280-313, 2016 | 31 | 2016 |
| Gesture and the sonic event in Karnatak music L Pearson Empirical Musicology Review, 2-14, 2013 | 26 | 2013 |
| Gesture–vocal coupling in Karnatak music performance: A neuro–bodily distributed aesthetic entanglement L Pearson, W Pouw Annals of the New York Academy of Sciences, 2022 | 20* | 2022 |
| Gesture in Karnatak music: Pedagogy and musical structure in South India L PEARSON Durham University, 2016 | 14 | 2016 |
| “Improvisation” in Play: A View Through South Indian Music Practices L Pearson The Routledge Handbook of Philosophy and Improvisation in the Arts, 446-461, 2021 | 7 | 2021 |
| Inscription, gesture, and social relations: Notation in Karnatak music L Pearson Material Cultures of Music Notation, 139-152, 2022 | 6 | 2022 |
| The aesthetics of imperfection in music and the arts: Spontaneity, flaws and the unfinished A Hamilton, L Pearson Bloomsbury Publishing, 2020 | 5 | 2020 |
| A Socially Situated Approach to Aesthetics: Games and Challenges in Karnatak Music L Pearson The Aesthetics of Imperfection in Music and the Arts: Spontaneity, Flaws and …, 2020 | 5 | 2020 |
| Cultural heritage, sustainability and innovation in South Indian art music L Pearson Music as Heritage, 238-257, 2018 | 5 | 2018 |
| The Matrix profile for motif discovery in audio-an example application in Carnatic music T Nuttall, G Plaja-Roglans, L Pearson, X Serra International Symposium on Computer Music Multidisciplinary Research, 228-237, 2021 | 4 | 2021 |
| Repertoire-Specific Vocal Pitch Data Generation for Improved Melodic Analysis of Carnatic Music G Plaja-Roglans, T Nuttall, L Pearson, X Serra, M Miron Transactions of the International Society for Music Information Retrieval 6 …, 2023 | 3 | 2023 |
| In search of Sañcāras: tradition-informed repeated melodic pattern recognition in carnatic music T Nuttall, G Plaja-Roglans, L Pearson, X Serra Rao P, Murthy H, Srinivasamurthy A, Bittner R, Caro Repetto R, Goto M, Serra …, 2022 | 2 | 2022 |
| Music as a trait in evolutionary theory: A musicological perspective M Wald-Fuhrmann, L Pearson, T Roeske, C Grüny, R Polak Behavioral and Brain Sciences 44, 2021 | 2 | 2021 |
| Motif-gesture clustering in Karnatak vocal performance: A multimodal computational music analysis L Pearson, T Nuttall, W Pouw College of Art, Nihon University, 2023 | 1 | 2023 |
| Multimodality in Karnatak music: Combining ethnographic, music-analytical and computational approaches L Pearson Computational and Digital Approaches to Music Scholarship 2023, 2023 | | 2023 |
| Handwritten Notation in Karnatak Music: Memory and the Mediation of Social Relations L Pearson, TKV Ramanujacharyulu Musikalische Schreibszenen, 285-303, 2023 | | 2023 |
| A Social Aesthetics and Ethics of Imperfection: Insights from Karnatak Music, Jazz and Free Improvisation L Pearson Imperfectionist Aesthetics in Art and Everyday Life, 87-100, 2022 | | 2022 |
| Cultural Specificities in Carnatic and Hindustani Music: Commentary on the Saraga Open Dataset L Pearson Empirical Musicology Review 16 (1), 166-171, 2021 | | 2021 |
| » Die Sozialisation der Sinne «Ästhetik, Kultur und Kontext L Pearson Musik Und Ästhetik 25 (100), 87-93, 2021 | | 2021 |
Rainer PolakRITMO Centre for Interdisciplinary Studies in Rhythm, Time and MotionVerified email at mail.de
